There are no trains in Cape Town so the train station that you see is a bunch of sleight of hand and trickery.” “The train was built entirely from a 3D model of an actual New York City subway car. Next, Thomas “really brought it to the next level,” said Robitel. “Like, ‘OK, now we’re underneath New York City and there’s all these defunct trains and stations and tunnels so it’s like a labyrinth under there.’”Īlthough Honley had never been to New York or been on a “bonafide subway” before, he used Google Images to imagine potential clues that could blend into the interior of a train car like handholds, signage and tokens “even though those haven’t been in usage for like 20 to 30 years now.” “Electricity can certainly be very visual and cinematic and that was my way into the movie,” he said. “And then from there it’s like, ‘OK, we have the space, what would be the visual threat?’”Įlectricity was a no-brainer, he says, thanks to the association of trains with the electrified third rail. “I thought the idea of a subway car derailing and then pulling us into the game in a very high octane way could be really cool,” said Robitel. Here, the crew explain the process behind four of the film’s major escape rooms: “What’s been great about these movies and working with Adam and the writers is that they’re open to the design process taking the lead in some of these things,” said Thomas. It was a process of throwing a bunch of stuff at the wall and coming up with the best spaces possible.” “The big thing that we’re saying in this movie is that the game has expanded in the sense that there’s no such thing as free will. “We always like to say Minos likes to create beautiful spaces that kill,” said Robitel. Along with writers Will Honley, Maria Melnik, Daniel Tuch and Oren Uziel and production designer Edward Thomas, Robitel and the crew first determined pairs of locations and threats before shooting each sequence over the course of 6 to 9 days. Shot in Cape Town, South Africa, the sequel required full and partial set builds, lots of props and custom pieces like a miles-long backdrop and 20,000 tons of sand. The film, which is now playing in theaters nationwide, features settings as disparate as a warm New England beach and a bank located in the bowels of New York City.
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